El carro azul
The Blue Car | Das blaue Auto![](/media/filmstills/2014/perspektive/20142631_1_RWD_1380.jpg)
© KHM / Valerie Heine
![](/media/filmstills/2014/perspektive/20142631_1_RWD_1380.jpg)
Carlos Rivero, Antonio Alonso
El carro azul | The Blue Car | Das blaue Auto by Valerie Heine
DEU 2014, Perspektive Deutsches Kino
© KHM / Valerie Heine
![](/media/filmstills/2014/perspektive/20142631_2_RWD_1380.jpg)
Carlos Rivero, Marcos Costa
El carro azul | The Blue Car | Das blaue Auto by Valerie Heine
DEU 2014, Perspektive Deutsches Kino
© KHM / Valerie Heine
![](/media/filmstills/2014/perspektive/20142631_7_RWD_1380.jpg)
Valerie Heine
El carro azul | The Blue Car | Das blaue Auto by Valerie Heine
DEU 2014, Perspektive Deutsches Kino
After his grandmother’s death Hansel returns to Cuba from San Francisco to look after his disabled brother, Marcos. The brothers have drifted apart. Marcos misses his grandmother and refuses to accept that she has died. She was the only one he trusted, the only one to look after him so patiently, and to teach him so much about the world, time, humans and animals. At first Marcos sees Hansel as an intruder in his world. He spends most of his time on the balcony looking up and down the street and playing a game he always used to play with his grandmother: waiting for an orange car. Hansel tries to approach his brother, albeit somewhat awkwardly. He begins to play the game with him, in his own way – hoping to regain his brother’s trust.
Additional information
![](/media/bilder/2014/boulevard-2014/14_02/140214_ds_1771_RWD_1380.jpg)
Rita Schwarze, Amaya Villar, Valerie Heine, Ziya Aktas, Linda Söffker
The section head and the film team after the screening.
El carro azul · Perspektive Deutsches Kino · Feb 14, 2014
El carro azul | The Blue Car | Das blaue Auto
Film Excerpt