The Godfather Part III

Der Pate III
It is 1979 and Don Michael Corleone wants to go straight. He has founded a charity to help the poor, has a church order bestowed upon him and gets involved with the Vatican bank. But his nephew Vincent is not onboard and feuds with a New York mafioso, leading to a clan meeting ending in a bloody assault. In Sicily, Michael learns that his backers are members of a secret order who are trying to thwart his cooperation with the Vatican. When they murder the new Pope, Michael is forced to act ... The dark lustre of the House of Corleone is largely dictated by the muted colours Milena Canonero has chosen for the family’s costumes, with heavy fabrics and leather being her preferred textiles. She designed similar costumes, albeit considerably more rustic than those of the Corleones, who wear Prada or Verri, for the singers performing “Cavalleria rusticana” in the film. Thus Canonero’s designs played a key role in the stylistic glissade between the bloody ending of the stage opera and the Grand Guignol finale of the Godfather trilogy on the steps of a Sicilian opera house.
by Francis Ford Coppola
with Al Pacino, Diane Keaton, Talia Shire, Andy Garcia, Eli Wallach, Joe Mantegna, George Hamilton, Bridget Fonda, Sofia Coppola
USA 1990 English 165’ Colour Rating R16

With

  • Al Pacino
  • Diane Keaton
  • Talia Shire
  • Andy Garcia
  • Eli Wallach
  • Joe Mantegna
  • George Hamilton
  • Bridget Fonda
  • Sofia Coppola

Crew

Director Francis Ford Coppola
Screenplay Mario Puzo, Francis Ford Coppola
Cinematography Gordon Willis
Editing Barry Malkin, Lisa Fruchtman, Walter Murch
Music Carmine Coppola, Nino Rota
Sound Richard Beggs
Production Design Dean Tavoularis
Art Director Alex Tavoularis
Costumes Milena Canonero
Assistant to Costume Designer Richard Shissler, Elisabetta Beraldo
Wardrobe Supervision William A. Campbell
Make-Up Fabrizio Sforza
Producer Francis Ford Coppola

World Sales

Paramount Pictures/Zoetrope Studios

Additional information

Copy: Park Circus, Glasgow