Before entering the bedroom, the camera first explores the other rooms in the house. It seems that life no longer takes place there. The camera lingers, as if sensing what has happened. It observes a separation – or rather the outcome of a separation. It registers gestures and glances here that speak of an intimacy that isn’t part of the present any more, such as when the man and the woman, who are no longer young, look at photographs from the start of their relationship. Beautiful moments alternate with comical and sorrowful ones. She brings him vitamin tablets. When clearing out the wardrobe, they look at one another lovingly: When did they each wear this or that piece of clothing and in what situation? The two of them are usually nude. It is a nakedness that is not about exposing anything, perhaps more a habit from days spent together, or a response to the unrelenting heat. The only sound comes from the fan that provides fresh air.
With
- Sandra Sandrini (Mabel)
- Alejo Mango (Jorge)
Crew
Written and Directed by | Mónica Lairana |
Cinematography | Flavio Dragoset |
Editing | Eduardo Serrano |
Music | Petronio Lorena |
Sound Design | Germán Chiodi |
Sound | Sofía Montes |
Producers | Mónica Lairana, Adriana Yurcovich, Gema Juarez Allen Gema Films, Paulo Pécora Rioabajo, Ingmar Trost Sutor Kolonko, Ana Alice de Morais 3 Moinhos, Laurette Schillings Topkapi Films |
Produced by
Mónica Lairana
Adriana Yurcovich
Gema Films
Rioabajo
Sutor Kolonko
3 Moinhos Produções
Topkapi Films
Mónica Lairana
Born in Buenos Aires, Argentina in 1973. She has acted in many theatre projects and feature films. La cama is her first feature film.
Filmography
2010 Rosa; 10 min. 2012 María; 12 min. 2014 Emilia; 4 min. 2018 La cama (The Bed)
Bio- & filmography as of Berlinale 2018