Article 9303
Through interviews with two photographers, one working in the embassy district of Cairo and producing mostly passport photographs, the other a photographer of official functions and meetings at the ICAO (International Civil Aviation Organization), the institution which issued Document 9303, the two-channel video installation investigates the labor of these workers and the agency that they have over the capturing of specific moments. These two photographers compare their relation to the camera and the body. Both the studio and the meeting room serve as a type of stage in which “actors” pose and perform still bodily gestures for the viewership of an audience, be that audience human or machine.
With
- Vanda (Vanda)
- Mohammed (Mohammed)
Crew
Written and Directed by | Ash Moniz |
Cinematography | Omnia Sabry |
Editing | Nabi A. |
Assistant Director | Ahmed Refaat |
Producer | Ash Moniz |
Produced by
Ash Moniz
Ash Moniz
Ash Moniz, born in 1992 in Wawa, Canada, grew up in Abu Dhabi, UAE, and Casablanca, Morocco and is currently based in Cairo. He is a multi-disciplinary artist whose work spans the realms of performance, video, and installation, focusing primarily on transportation logistics and the archiving of citizenship. He holds a BFA from OCAD University (Toronto, 2014) and has participated in the Mass Alexandria Independent Studio Program (Alexandria, 2016). Moniz has exhibited at galleries and museums internationally and received awards. Currently he is a fellow at the Cairo Institute for Liberal Arts and Sciences (CILAS), leading a course on performativity.
Filmography
2014 Tracing a Surface 2015 Relative Motion; video installation 2016 Disappearing Pedestrians; 8 min., video installation 2017 Tides of Sand and Steel; with Felix Kelmenson and Rouzbeh Akhbari · In the Anticipation of a Future Need to Know; video installation · Article 9303
Bio- & filmography as of Berlinale 2018