Kad budem mrtav i beo
When I Am Dead and PaleWith
- Dragan Nikolić (Džimi Barka)
- Ružica Sokić (Duška)
- Neda Spasojević (Lilica)
- Dara Čalenić (Mica)
- Severin Bijelić (Oficir)
- Nikola Milić (Moša)
- Zorica Šumadinac (Bojana)
- Slobodan Aligrudić (Milutin)
- Milivoje Tomić (Poslovođa)
- Snežana Lukić (Zubotehničarka)
Crew
Director | Živojin Pavlović |
Screenplay | Ljubiša Kozomara, Gordan Mihić |
Cinematography | Milorad Jakšić-Fanđo |
Editing | Olga Skrigin |
Sound Design | Miodrag Petrov |
Sound | Matija Barbalic |
Production Design | Dragoljub Ivkov |
Restoration Producer | Jadranka Blanusa Centar Film, Jugoslav Pantelic Yugoslav Film Archive |
World sales
Centar Film
Produced by
Centar Film
Yugoslav Film Archive
Živojin Pavlović
Born in 1933 in Šabac, which at the time was part of the Kingdom of Yugoslavia and today belongs to Serbia. He studied painting and made his first film, Žive Vode, in 1962. Pavlović made a total of 15 feature films until his death in 1998. He also worked as a writer, a painter, and a professor. Živojin Pavlović is considered one of the most significant directors of the Yugoslav Black Wave movement in cinema of the 1960s. For his film Budjenje pacova, he won the Silver Bear award at the 1967 Berlin International Film festival.
Filmography
1962 Žive vode; part of the omnibus film "Kapi, vode, ratnici" 1963 Obruč (Encirclement); part of the omnibus film "Grad" 1965 Neprijatelj (The Enemy); 95 min. 1966 Povratak (The Return); 70 min. 1967 Kad budem mrtav i beo (When I Am Dead and Pale); 79 min. · Budjenje pacova (The Rats Woke Up); 79 min., Competition 1967 1969 Zaseda (The Ambush); 80 min. 1970 Crveno klasje (Red Wheat); 85 min. 1973 Let mrtve ptice (Flight of a Dead Bird); 88 min. 1977 Hajka (Man Hunt); 104 min. 1980 Nasvidenje v nasledni vojni (See You in the Next War); 118 min. 1983 Zadah tela (Body Scent); 99 min. 1987 Na putu za Katangu (On the Road to Catanga); 106 min. 1992 Dezerter (The Deserter); 109 min. 2002 Država mrtvih (The State of Dead); 92 min.
Bio- & filmography as of Berlinale 2018