Lost on Arrival
This drama is portrayed using extremely minimalist means. Except for the opening scene, all we see is the view from a tropical veranda. At the same time we hear the man having telephone conversations with his son, in which he gradually acknowledges that he is losing his grip on reality. He may have gone to Curaçao, but he never actually arrived. (PolakVanBekkum)
With
- Jan Van Bekkum
- Ivar Van Bekkum
Crew
Director | PolakVanBekkum |
Screenplay | PolakVanBekkum |
Cinematography | PolakVanBekkum |
Montage | PolakVanBekkum |
Sound | Arno Peeters |
Producer | PolakVanBekkum |
World Sales
LIMA
Produced by
PolakVanBekkum
Cynthia Beatt, Ivar Van Bekkum, Kerstin Schroedinger, Esther Van Bekkum, Emily Wardill
Lost on Arrival
Forum Expanded · Berlinale Meets | Interview · Feb 22, 2021
PolakVanBekkum
PolakVanBekkum are Esther Polak, born in 1962 in Amsterdam, and Ivar van Bekkum, born in 1965 in Rotterdam. Their work deals with movement and landscape. Over the years, they have developed a cinematographic method for synchronizing audio recordings with mapped routes, thus realizing documentaries based on movement. This allowed them to create films that proceed within projected satellite images from Google Earth. Their films are shown internationally at film festivals.
Filmography
2011 Etak: A navigation Opera; 4 min. · What is done cannot be undone; 6 min. 2013 n boy; 9 min. 2014 The Mailman’s Bag; 60 min. 2016 Once We Get There; 49 min. 2017 Homestead II; 1 min. · A Collision of Sorts; 17 min. 2018 The Fortune; 1 min. · Gaan om te Zijn (Go Move Be); 9 min. 2019 Daily Life at the Crossing; 4 min. · De Rit (The Ride); 12 min. 2021 Lost on Arrival
Bio- & filmography as of Berlinale 2021