
Nurhayati , Nova
At Stake by Iwan Setiawan, Muhammad Ichsan, Lucky Kuswandi, Ucu Agustin, Ani Ema Susanti
IDN 2008, Panorama

Ade Kusumaningrum
At Stake by Iwan Setiawan, Muhammad Ichsan, Lucky Kuswandi, Ucu Agustin, Ani Ema Susanti
IDN 2008, Panorama

Ani Ema Susanti
At Stake by Iwan Setiawan, Muhammad Ichsan, Lucky Kuswandi, Ucu Agustin, Ani Ema Susanti
IDN 2008, Panorama

Lucky Kuswandi
At Stake by Iwan Setiawan, Muhammad Ichsan, Lucky Kuswandi, Ucu Agustin, Ani Ema Susanti
IDN 2008, Panorama

Iwan Setiawan
At Stake by Iwan Setiawan, Muhammad Ichsan, Lucky Kuswandi, Ucu Agustin, Ani Ema Susanti
IDN 2008, Panorama

Ucu Agustin
At Stake by Iwan Setiawan, Muhammad Ichsan, Lucky Kuswandi, Ucu Agustin, Ani Ema Susanti
IDN 2008, Panorama

Muhammad Ichsan
At Stake by Iwan Setiawan, Muhammad Ichsan, Lucky Kuswandi, Ucu Agustin, Ani Ema Susanti
IDN 2008, Panorama
I. Setiawan, M. Ichsan) analyses the practice – still widespread – of female circumcision, and describes the religious reasons for this traditional mutilation. MISS. MRS.? (dir.: L. Kuswandi) transports us to central Jakarta where up-to-date fashion magazines, the latest designer clothing or cosmetic articles might abound, but young women still have a very hard time locating a competent, unprejudiced gynaecologist. OUR CHILDREN’S FUND (dir.:
U. Augustin) takes us to an infamous Chinese cemetery in eastern Java which, come sundown, becomes a meeting place for prostitutes and their johns. For the protagonists of this film prostitution represents the only way to earn enough money to raise their children, because the pay from their day jobs just isn’t enough.