Tinselwood
This story functions like a historical sketch, which forms the basis for Marie Voignier to use the tools of cinema to get a grasp on southwest Cameroon. The camera gently follows the inhabitants around in their daily lives, and gives them the time and space to reflect upon their situations – without smoothing over the contradictions in which they sometimes lose themselves: in Tinselwood, a brutal colonial past forms the underpinning for a present in stasis. In the evenings, the television set flickers above them, broadcasting current news. The film is also a riposte to the small bright light emanating from the screen: with her consciously marked position as an outside observer, the director understands that larger-scale images are necessary to portray the complexity of all the nuances that lie between black and white.
Crew
Director | Marie Voignier |
Cinematography | Thomas Favel |
Editing | Marie Voignier |
Sound Design | Thomas Fourel |
Sound | Marianne Roussy |
Producers | Eugénie Michel-Villette Les Films du Bilbouquet, Vassilis Salpistis Bonjour Cinéma |
World Sales
Les Films du Bilboquet
Produced by
Les Films du Bilboquet
Bonjour Cinéma
Additional information
Marie Voignier
Born in 1974 in Ris-Orangis, France. She studied Engineering, Physics and Gender Studies. From 1999 until 2004, she studied Fine Arts at the École nationale supérieure des beaux-arts in Lyon, and she has been a professor there since 2011.
Filmography
2004 The Ghosts; 13 min. 2006 Le Bruit du canon (The Cannon’s Blast); 27 min. 2008 Au Travail (At Work); 47 min. 2009 Hinterland; 49 min. 2010 Hearing the shape of a drum; 17 min. 2012 L’Hypothèse du Mokele-Mbembe (The Mokele-Mbembe Hypothesis); 78 min. · The Land Was Already Occupied (The Future); 17 min. 2013 Standing Still; 14 min. 2014 One by One; 14 min., co-directed by Vassilis Salpistis · Tourisme international (International Tourism); 48 min. 2017 Tinselwood
Bio- & filmography as of Berlinale 2017