Oeconomia
© Petrolio / Dirk Lütter
In his 2011 essay “The Making of the Indebted Man”, philosopher Maurizio Lazzarato writes: “Debt is not an impediment to growth. Indeed, it represents the economic and subjective engine of the modern-day economy. Debt creation, that is, the creation and development of the power relation between creditors and debtors, has been conceived and programmed as the strategic heart of neoliberal politics.” Carmen Losmann’s Oeconomia sets off on a journey into this strategic heart. The fact that many representatives of the banking and finance sector would prefer not to speak on camera – and those who do are often at a loss for words – makes this an undeniably ambitious undertaking. No matter how transparently the architectures of banks and financial institutions present themselves, the director repeatedly finds herself in front of closed doors while conducting her research. But she makes a virtue of necessity by using phone call transcripts and computer-generated images to bring abstract, difficult-to-grasp subject matter to life.
Crew
Written and Directed by | Carmen Losmann |
Cinematography | Dirk Lütter |
Editing | Henk Drees, Carmen Losmann |
Music | Peter Rösner |
Sound Design | Peter Rösner |
Sound | Peter Rösner, Till Röllinghoff, Etienne Haug, Detlev Schmelzenbach |
Production Manager | Mareike Wegener |
Producers | Hannes Lang, Mareike Wegener |
Commissioning Editor | Daniel Schössler |
Co-Production | ZDF/3Sat Mainz |
Produced by
Petrolio Film
Carmen Losmann
Oeconomia
Forum · Berlinale Meets | Interview · Feb 26, 2020
Carmen Losmann
Born in Crailsheim, Germany in 1979. After studying Marketing, she studied Film at the Academy of Media Arts Cologne (KHM). Oeconomia is her second feature-length film.
Filmography
2009 Nicht wie jeder; 10 min. 2011 Work Hard – Play Hard; 90 min.
Bio- & filmography as of Berlinale 2020