Uriwa sanggwaneopsi
Regardless of Us
© 2022 Neungso Film Co. all rights reserved
A resonant examination of the relational, Yoo Heong-jun’s clever and considered Uriwa sanggwaneopsi is one of this year’s auspicious debuts. Troubling connections between the spoken and unspoken, an event and its retelling and fiction and reality, the film’s philosophical inquiries into the nature of recto and verso are mirrored in its sly, bifurcated structure.
Recovering from a stroke, the middle-aged actor Hwa-ryeong receives a string of visits from collaborators on a new film. Alongside well-wishes, the guests share fragmentary details of its plot and its recent premiere alongside revelations of previously unspoken sentiments. From here the film shifts to its second half. Centered on an actor played by Cho – now nameless – figures from the earlier scenes reappear, their relations now wholly reoriented, with any correspondence to everything we’ve seen before left open to interpretation, interrogation and speculation.
Shot in black and white with a tendency towards long takes, Uriwa sanggwaneopsi is admirably understated and spacious, leaving room for Yoo’s finely calibrated script, equally precise performances, and the reflections that both invite.
Recovering from a stroke, the middle-aged actor Hwa-ryeong receives a string of visits from collaborators on a new film. Alongside well-wishes, the guests share fragmentary details of its plot and its recent premiere alongside revelations of previously unspoken sentiments. From here the film shifts to its second half. Centered on an actor played by Cho – now nameless – figures from the earlier scenes reappear, their relations now wholly reoriented, with any correspondence to everything we’ve seen before left open to interpretation, interrogation and speculation.
Shot in black and white with a tendency towards long takes, Uriwa sanggwaneopsi is admirably understated and spacious, leaving room for Yoo’s finely calibrated script, equally precise performances, and the reflections that both invite.
With
- Cho Hyunjin
- Cho Soyeon
- Kwak Minkyu
- Kim Misook
- Choi Sungwon
- Il Kang
- Lee Yanghee
- Park Sunghwan
Crew
Director | Yoo Heong-jun |
Screenplay | Yoo Heong-jun |
Cinematography | Yoo Heong-jun, Kang Hyunjung |
Editing | Yoo Heong-jun |
Music | Yoo Heong-jun |
Sound Design | Yoo Heong-jun |
Sound | Hong Seulki, Lee Heewoo |
Production Design | Lee Subin |
Assistant Directors | Lee Heewoo, Park Minsoo |
Producer | Yoo Heong-jun |
World Sales
M-Line Distribution
Produced by
Neungso Film co.
Yoo Heong-jun
© 2023 YooHeong-jun
Born in Seoul, Republic of Korea in 1993, he studied film directing. Uriwa sanggwaneopsi is his first feature-length film.
Filmography
2018 Adeulttaldeul (Sons and Daughters); 35 min. 2020 Pineun janchitjibeseo heullyeora (Let It Bleed on the Banquet); 39 min. 2023 Uriwa sanggwaneopsi (Regardless of Us); 81 min.
Bio- & filmography as of Berlinale 2023